Product Description
News & Notes
On the Cover: Sondheim & Opera
Opera or musical theatre? Sondheim has strong opinions
Some Sondheim shows have been adopted by opera companies
Patrick Summers discusses Sondheim at Houston Grand Opera
Opera librettist Mark Campbell admires Sondheim
Conductor David Charles Abell ranks Sondheim with great classical stage composers
A tale of two barbers: Figaro and Sweeney Todd
Baritone Nathan Gunn performs Sweeney Todd in Houston
Features
Stars of Into the Woods’ premiere production had a reunion
Chicago’s Porchlight Music Theatre goes all-Sondheim for its 20th
Sondheim’s shows provided early opportunties for black performers
Director Jeremy Quinn reimagined Sweeney Todd in White Plains
The early days of Forum, as reported by newspapers, 1959-1962
Sondheim’s rhymes are used to reveal character traits
Productions & Reviews
Fiasco Theater’s Into the Woods made its way to New York City
Two critics explore cinematic Into the Woods for TSR
Critical reactions to Rob Marshall’s movie of Into the Woods
Do I Hear a Waltz? in San Francisco featured Emily Skinner
Boston Assassins was a collaborative venture
Thoughts on the cinematic soundtrack recording for Into the Woods
Take Me to the World: International Coverage
Menier Chocolate Factory served up an intimate Assassins
More hot pies for Sweeney Todd in a real London pie shop
Before transferring to the West End, Chichester Festival Theatre’s Gypsy
Sondheim on Sondheim makes its way to Australia
Cryptic Crossword: Worst Pies
Show Listings
In the Next Issue
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